My first movie will just be a title card saying “Critically acclaimed movie”. I will make millions.

Whole movie is also on YouTube https://youtu.be/4kDwOuLQH4I

I’m sold.

I like how at the end the camera is just kinda panning around like the viewer is embarrassed by the bad acting on display.

It’s… beautiful.

It reminds me of when I pirated one of the 16 million X-Men and or Wolverine movies but the effects weren’t complete so it was just concept art as placeholders but this is so much better.

If just says “VFX car on fire” hahahahahahah is that in the actual movie?

The main character is clearly a Catholic Priest. Why is his priest collar not white (they are just little inserts)? Is this a new style, or were they trying to be respectful of Catholics and making him not quote a Catholic Priest?

“your parents died, it’s what parents do!”

It was at that very moment that I knew I was in love with this film.

And it’s glorious. Watch it at least once.

Just like “Jesus Christ, Vampire Hunter” is real.

I also had to look it up in disbelief.

Is it? Frankly it seemed a bit slow. The parts about killing Hitler and Bigfoot were fun, but it was predominantly about an old man somberly reflecting on his past.

If you’re down for a bigfoot movie, I’d recommend Sasquatch Sunset, it was very odd, but very good.

The burning car fx was best by far so realistic

In general, I agree that “bad on purpose” movies rarely work the way truly failed passion projects do. Stuff like The Room or Samurai Cop are endlessly fascinating because you’re watching someone’s ambition crash and burn under the weight of their own limitation. It’s failure as unintentional art.

Sharknado and the rest of The Asylum’s output, by contrast, are manufactured junk food. They’re winking at you the whole time, saying “look how silly we are,” which makes the joke wear thin almost instantly.

But Velocipastor doesn’t fit into the “Sharknado” camp. The difference is intent. Sharknado had a $2 million budget, a cynical production pipeline, and the backing of a company that churns out disposable content purely because they know it’ll turn a profit on streaming or TV. It’s commerce first, creativity second. Velocipastor, on the other hand, had a shoestring budget of $36k scraped together from personal connections. It’s essentially a backyard passion project made by people who wanted to have fun, and that spirit comes through on screen.

Yeah, it’s deliberately goofy, but it also embraces its limitations in a clever way. Things like the “VFX car explosion” gag or the deliberately clunky dinosaur costume work precisely because the film knows how far it can stretch itself. It’s not pretending to be Hollywood, and it’s not trying to be “so bad it’s good” in a cynical way. It’s more like watching a group of friends get wildly creative with no resources, and instead of feeling hollow like Sharknado, it ends up being genuinely entertaining.

You’d probably enjoy Iron Sky

you go watch Lobster Man from Mars until you enjoy it

one of the aliens is a fuzzy football on a string! and you can still see the string if i remember it’s been a while!

I’d argue there are multiple types of good bad movies and that it can definitely be done on purpose, Garth Marenghi’s Dark Place is my gold standard for bad on purpose, that show is the greatest. I enjoyed Velocipastor immensely and think they nailed being bad on purpose. I get what you’re saying, though, there is a unique magic that only exists when someone is genuinely and earnestly trying to create a magnum opus to rival the greats and creates utter trash candy, like Wiseau and Neil Breen and his Breen screen.

That bit got me so bad! I’m like

“oh… OH, ok… I see… FUCK, NINJAS, I GOTTA WATCH THIS THING!”