

My guitar. Taylor 314 CE from 2000, 20+ years of age is ideal for acoustics and I like the 3 band eq that model had


My guitar. Taylor 314 CE from 2000, 20+ years of age is ideal for acoustics and I like the 3 band eq that model had
The best way to learn is to say something confidently wrong on the Internet haha
Yeah you know what, I definitely am wrong about this, I totally thought they were using AI but that makes way more sense
I know it doesn’t need AI for older versions of feedback suppression, but there are newer systems using it that are more effective at dynamically subtracting those frequencies
Oh yeah you’re right! It’s the same for all unwanted noise. Rustling, wind, buzz, ac noise. All of it can be filtered out now! You can even take away the reverb from an untreated room and add in your own reverb. Convolution reverb is amazing, you can actually capture the reverb of any space you want and add it into your recording in post. I honestly don’t know how much an expensive treated room matters over some investment in the plugins that let you do those things.
An example for movies: instead of trying to capture the actors talking inside their helmets for Interstellar, they actually made an IR inside of the helmet itself and added that to the overdubs!
The way you create an IR (impulse response) to capture the reverb of a space is you take a speaker and play a sine wave (or a gunshot/balloon pop,) then record it with a good mic. Then just take that WAV file and put it into a convolution reverb plugin. It sounds identical, the technology is amazing! You can use this to capture all kinds of analog circuitry like guitar amps also, that’s how they make those guitar amp plugins.
An amazing use for it in audio engineering is for feedback suppression. The old way to give yourself more headroom required you to sit there and turn up the gain until feedback happens and cut that frequency. Now you just turn on the feedback suppression and it does all that for you on the fly. It’s game changing for live sound, every major venue has it now.



My cat Lola in the best picture I took of her as a kitten

My dog Joanie who has her ear protection on for band practice

Them together as babies (they play together and are best friends)

Playtime

Daily outdoor adventures
You’re right, I need this room in my life


Blood Sweat & Tears had like 200 members, my dad knew one of the founding members and went to one of their concerts a couple years back. Got to talk to them after the show and not one of them had even heard of the guy. Feels like the ultimate example of this
I use the mpk mini play and it’s super handy all the time with those onboard effects! Bring it all the time in my backpack for noodling when I know I have hours to kill. Had it for 7 years and no issues at all. Although I will say the new mpk minis went through a massive upgrade, worth splurging for.


I wonder if it would sound better taped on, in the drum itself, or on the floor in front. Seems like there would be minimal bleed too haha, might be a cool lo-fi thing


Well now I kind of want to mic up a kick drum with my gaming mouse for fun lol


The biggest thing that helped me was art. I’ve played music most of my life, and made the decision to move out to a city with a great music scene 4 years ago where I knew nobody. It took me 3 years of exploring open mic communities and such for me to finally find the one for me. Built up an amazing friend group from there and I feel so emotionally and artistically fulfilled now! I was so lonely those first 3 years, but the second I found my people it was night and day. I think the best thing everyone can do is hone in on a hobby you love and connect with the community surrounding it if you can, sometimes the hobby can be enough too though!
I would happily contribute to this, lmk if we decide on a specific community to all join in on, I think it would be cool if it was musician’s interests in general. Like I’m an audio engineer as well as a guitarist so it would fun to have a space to have deep conversations about both, as well as other musical niches people have an interest in.
I also think this won’t hurt the CRT at all
Oh! Actually I’ve seen something similar done before with a modular synth! There’s this awesome Instagram profile called Ellingson.tv with a guy that uses modular synths to manipulate CRTs and combines that idea with a “Pepper’s Ghost” hologram effect. Highly recommend checking it out
My background is in audio engineering & live sound, so I’m not sure about the specifics of those ports. But there is zero risk of frying anything with the signal generated from a guitar, even an acoustic w/preamp. You would need orders of magnitude more power to do any damage, like if you plugged the 1/4" inch into a power amp designed for passive speakers (which can take the same 1/4" input as a guitar for some stupid reason.) I have to imagine that the only interaction happening within the CRT is directly with the built in speakers, so even if you did that crazy thing the speakers would blow but the video might still work (kinda want to see what would happen here lol, we need one of those YouTubers who like to break things.) For you though, the worst that would happen is the signal getting distorted and sounding horrible. My guess is either port would work granted you have the right adapter, and I actually think you’re more like to hear something from an acoustic because of the slight boost from the preamp. All this to say there’s nothing to worry about, but it’s a lot of work for something silly, I’m sure you could make the world’s worst amp with it if you try hard enough, seems like it should work to me.
The only way you’ll blow your CRT is if you tried to plug that dongle monstrosity into the speaker output of a power amp haha, guitars have a high impedance signal. Direct boxes actually lower the impedance, so that definitely won’t help make your output safer. (Still safe) So I say go for it directly from the guitar, the worst that can happen is nothing, (which is likely) which probably means you actually do need to lower the impedance with a direct box. (Which I still doubt would work but who knows) An amp with a line out or a digital pedal board would be the most likely options for actually getting sound through.


Same issue I mentioned in my comment! There’s a constant battle happening between the audio engineers and the noise floor of the the venue. It surprisingly doesn’t take too much more db to be heard above the crowd, like in a perfect world, if the crowd is sitting at 90db then 95db would be ideal. But unfortunately a crowd’s loudness ebs and flows and that can easily get drowned out so most just default to 100db and embrace the inevitable tinnitus. I recommend everyone invest in Earasers or something of that quality so y’all can appreciate music safely without losing all of the dynamics.
Didn’t realize they were that old