Reminds me of when a recent sci-fi author wrote a first person novel with an androgynously named protagonist. They didn’t ever directly refer or allude to the character’s sex in the novel. Fan communities and book clubs spent months realizing they’d subconsciously given the protagonist pronouns in their head. (It’s less awkward than it sounds due to the sci-fi premise.) The author only addressed it months after it came out. They got both Wil Wheaton and Amber Benson to create identical audiobooks for the sequel.
Would that be Early Riser by Jasper Fforde? If not, I’m very curious what the book was.
It’s Lock-In by John Scalzi. After a ~weird flu~, a large portion of the population are left paraplegic and can only interact with the world by remotely controlling humanoid robots. It’s still fairly early on in the tech, so most folks are walking around in generic of the shelf units that are only a few generations removed from the Boston Dynamics or Atlas robots.
It was a really weird novel to be reading during the first week of Covid shutdowns.
Huh, thank you for the summary! What a strange (but fascinating) premise. Definitely a weird book to have during the first week of COVID shutdowns… All the zombie apocalypse stories also hit rather differently when read during COVID lockdown 😅
It’s probably worth mentioning that the book’s a police procedural / crime novel. 👍 It takes place about 25 years after the fictional pandemic. The story starts off with a robot-piloting protagonist’s first day on the job as part of the FBI’s robot-crimes division. It almost won a Hugo and is worth taking a look at if the premise sounds interesting.
Man I wish I could enjoy Wheaton’s narration style but after trying to listen to John Scalzi’s The Collapsing Empire and hearing every single character given the same tone deaf voice (literally tone deaf: not like saying racist things but rather had the same sarcastic and smug tone of voice for everyone irrespective of character descriptions or even explicit tones given like “she said morosely”) I refuse to buy another book he has narrated.
Amber Benson it is then.
On the topic of Will Wheaton narrating audiobooks, do I understand correctly that the version of The Martian narrated by R.C. Bray is no longer available to purchase on Audible and is now replaced by one done by Wheaton?
Wild that they’d replace an excellent voice actor with a incredibly mediocre one.
But Wil is famous so …
It seems that AI audiobooks are not for you.
Definitely not. But what does that have anything to do with Wil’s awful narration?
Their narration can be fairly bland from what I’ve heard.
I don’t like audiobooks, so that’s second hand.
In reality, with how fast information spreads on the internet, all the different endings would be quickly cataloged. The alleged 11th one would be mentioned, but it would soon be well-known that nobody has seen it. Which ending was best would be an interesting point of discussion.
…Assuming the books were even popular, of course.
Last February, Undertale creator Toby Fox sent newsletters by e-mail with 3 random banners of Deltarune characters saying something, with various degrees of rarity. They were all collected within 2 days, including one that only appeared 1 out of 1.000.000 times. However, it should be noted that the Deltarune community is fucking crazy (in a good sense).
sadfsdfasfasf
Assumes their book would be wildly popular despite having to write 10 cohesive plausible endings.
Probably how Choose-Your-Own-Adventure books were meant to be until the publisher told the author: “Hey listen we can only afford to print one book ten thousand times. Not eleven books nine hundred times.”
OP generously assumes that not only will people read their books, but also care about the subsequent shenanigans
And that a book written in such a way to support 10 different endings would be good enough to support online arguments.
